![]() ![]() I get very annoyed when people criticise my films because of their content. Due to a series of strange circumstances, and with the help of both his girlfriend and his nurse, he begins to suspect a neighbour whose wife seems to have disappeared. Jefferies (James Stewart) copes with his tedious confinement as best he can by looking through the window of his apartment with his binoculars to see what is happening in the houses opposite. ![]() Rear Window / Fenêtre sur cour | Alfred Hitchcock, 1954, U.S.įorced to have complete rest after breaking his leg in a serious accident, the press photographer L. Porter, when the camera tracks the bandits in the forest getting on their horses and fleeing, moving both horizontally and to the left. One of the first panoramic shots in cinema history can be seen in The Great Train Robbery (1903), a Western by Edwin S. For example, in Rear Window (1954) by Alfred Hitchcock, the first three minutes are devoted to describing the backyard of the building of the main character, a photographer, through various panoramic shots. ![]() Panoramic shots used to describe a space are normally seen at the beginning of cinematographic stories or at the start of sequences, to provide all the information to the audience about the location where the story is set. The panoramic is probably the first camera movement to arise in the history of cinematographic language, and its functions have not varied since its origin: describing space or folowing a character or an object in movement ![]() It is often associated with the point of view shot when the panoramic shot relates to a character's gaze, as in the sequence of the enlargement of the photographs in Blow Up (1966), by Michelangelo Antonioni, when the photographer looks carefully from the sofa and in the next shot the camera moves in panoramic shot showing the enlarged photographs hanging from the wooden beams. They are to describe the space or follow a moving character or object. The panoramic shot is probably the first camera movement to emerge in the history of the cinematographic language, and its functions have not changed over time. This is the movement of the camera along its axis, horizontally or vertically. ![]()
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